Quick Answer
Use Waves SSL G-Master Bus Compressor at 2:1, 30 ms attack, Auto release, and only 1–2 dB of gain reduction. Keep Final Mix subtle. Loudness belongs later on the Limiter Bus.
Overview
Final Mix is no longer a broad processing stage
The old Final Mix documentation was too heavy. The approved model removes tape, God Particle, soothe2, and limiter behavior from this stage. Final Mix should feel like stereo glue only.
Step by Step
Approved Compression Logic
Check the mix with Final Mix bypassed first. If the mix falls apart, the issue is upstream.
Keep any optional Logic Channel EQ move tiny. Final Mix EQ should look almost flat.
Use the SSL bus comp for 1–2 dB of glue, not obvious pumping.
Plugin Examples
What now belongs here
Logic Channel EQ for optional tiny alignment only.
Waves SSL G-Master Bus Compressor for the approved glue move.
Final Mix Parallel as a send, returning to Print Before Limiter rather than looping back into Final Mix.
Stock Logic Alternatives
No Third-Party SSL?
Logic Compressor in Vintage VCA mode is the closest stock fallback for the Final Mix glue role.
Do not add Adaptive Limiter here. Limiting is now explicitly separated to the Limiter Bus.
Avoid These
Outdated ideas to drop
God Particle, soothe2, tape, heavy saturation, or limiter duties on Final Mix.
More than about 1–2 dB of gain reduction if the actual goal is glue.
Treating Final Mix like a rescue lane instead of a finishing nudge.