Bass · 4 Plugins

Logic Pro Bass Chain

The Bass Complete bus at +0.9 dB: Gain, Pultec EQP-1A, Moogerfooger MF-103S Phaser, and UADx Moog Multimode Filter — final glue for the combined bass layer.

A bass that disappears on small speakers is a translation problem, not a volume problem. This chain addresses translation directly at the Bass Complete stage: tube EQ weight, then modulation and analog filter color to give the combined bass layer its final character before it meets the drums.

TL;DR — 40-second answer

The Logic Pro bass bus runs at +0.9 dB with Gain, then Pultec EQP-1A for tone, then Moogerfooger MF-103S Phaser for mid movement, then the UADx Moog Multimode Filter for final glue on the combined bass layer.

  • Logic Gain sets the bus level entering the tonal stages.

  • UAD Pultec EQP-1A shapes low-end weight and broad tonal balance.

  • Moogerfooger MF-103S Phaser adds movement in the midrange band.

  • UADx Moog Multimode Filter delivers the final glue and character on the combined bass layer.

Signal Flow

Chain Order

Gain
Pultec EQP-1A
MF-103S Phaser
Moog Filter

Bass Complete is where the bass synth and bass guitar premasters have already met. This chain is the final glue on that combined layer — tube EQ, phaser, and analog filter shape the low end without heavy-handed dynamics on the bus.

Plugin Stack

Every Plugin, Every Setting

Logic Pro Gain
Apple · Gain Utility
Step 1 — Level

Sets the combined bass level before any tonal or modulation stage.

Settings

Trim to +0.9 dB so the rest of the chain is fed consistently.

UAD Pultec EQP-1A
Universal Audio · Tube EQ
Step 2 — Tone

Sets the tonal base with tube-driven low-end weight.

Settings

Classic Pultec low boost paired with the matching attenuation for weight without mud.

Stock Alternative — Logic Vintage Tube EQ

Use the Pultec-style curve conservatively.

Moogerfooger MF-103S
Moog Music · Phaser
Step 3 — Motion

Adds analog phase motion so a static bass part still feels alive.

Settings

Slow rate, restrained mix — subtle animation rather than obvious phaser sweep.

Stock Alternative — Logic Phaser

Slow LFO, low mix, sweep kept above the fundamental.

UADx Moog Multimode Filter
Universal Audio · Analog Filter
Step 4 — Analog Filter

Final analog filter color across the combined bass layer.

Settings

Use the multimode filter for gentle analog saturation and shaping, not obvious resonant sweeps.

Stock Alternative — Logic AutoFilter

Static low-pass with a touch of resonance to emulate the color.

System Logic

Why This Chain Works

  • Tube EQ before modulation means the analog motion moves a bass that already has weight.

  • Filter color last keeps the Bass Complete bus feeling like one analog layer instead of a stack of edits.

Avoid These

Common Mistakes

  • Turning the phaser mix up until the bass sounds like an effect instead of a bass.

  • Over-boosting sub with the Pultec low shelf without checking translation on small speakers.

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